tim purcell height

I didn't really need a bridge for sound, I needed one for height. This Steve Davis Bridge is the best bridge I have ever had. Foxes and Fossils played maybe 3 more jobs in the summer of 2010. Even with the .656 the 2 pennies are comfortably sliding under the first string at fret 12. Things just happen that are amazingly right, and at quiet to ear-blistering levels. This showed further that tailor-made compensation was needed. Like before, good guy.great product. All of these criteria play into the design and build process, so getting them right is critical to letting Bart build you a perfect bridge. I use Barts bridges on all my instruments and have had no problems with sound or craftmanship.Highly recommended. A great bridge at a great price for a custom hand made example of banjo bridge art. The workmanship is excellent. It completely opened up the tone of my banjo. I do feel as though my banjo has gotten a little louder, though, because of the sheer lack of negative tones from the bridge. Amelia tries to hide from the Babadook in her basement. I had one of Tim's piano maple bridges on this banjo and it is also great. This bridge gave my banjo the growl I had been searching for. Each of the last two bridges Bart built for me have worked wonders on my Irish Banjos. Love it.10 $ fast ship and blows some $45 bridges away. I've had equally wonderful results with the red maple bridges he made for me as well. I have a few wonderful bridges that give me many of the attributes that I look for. This bridge gives better tone than all others I have tried (Snuffy Smith compensated; Sosebee; Sampson walnut old wood). I think they call it a "no-direct-route" approach (every string's path through wood to the head is interrupted by open air). The first radically different bridge I tried was the Snuffy II. David marked each bridge with height, material, and weight (2.928 for the American Cherry, and 3.768 for the Brazilian). Very bell like on both banjos I've used them on. . The only words I can use to express the tone is dry,full,deep, but with exceptional power up the neck and amazing clarity of notes. I'm massively impressed by the note quality, the sustain remains fully in tune for the entire length of the note with no 'drop off' which is pretty amazing. Overall, I prefer this bridge to the similar products by either Grover or Hatfield. - I really like the way the curved, untopped bridge looks, very organic. I bought an 11/16 standard spacing Roasted Red Maple bridge. After some research I decided to try out a heavier bridge. Business Technology Partner at Victoria Police, Associate Director, Technology Enablement, Advisory, Click to share on LinkedIn (Opens in new window), Click to share on Twitter (Opens in new window), Click to share on Facebook (Opens in new window), Click to email this to a friend (Opens in new window), Click to share on Google+ (Opens in new window), Click to share on Reddit (Opens in new window). I tried many of the other maple (and a persimmon) bridges I have collected over the years but they were also too trebly for me and also lacked the full sound I was getting with the Snuffy Smith and McPeake bridges. Fantastic Bridges.I ordered a regular and a radius to try and was blown away!At first glance these bridges seem bulky with big feet but the composition of the old wood brings out a woody tone without sacrificing the bright tones at all.I would'nt thin them if I were you.I put the radius on a Huber Lancaster and the straight one on a Stelling Red Fox.We made sure the necks were tight and the other ends of the coordinater rods were only finger tight (super secret setup fact #007) and wa la .The Stelling really opened up.The Huber got a little woodier which it needed.Buy one ,experiment with your setup for a week or so and you'll see! Really very nicely crafted and he's a fine fellow to do business with. I'm an anal tone & I don't casually heap praise on anything - only when it *really* works. That cheap stock maple bridge came off and the roasted maple simply blew it away. (I know, heard it before), but a double winner with volume on the RB and a new sound on the Hatfield. I still get an amazingly clear tone, but the edge has been taken off and now its smooth and mellow but still clear. The Banjo that I am playing on is a Bob Flesher "Tarantella". The level of aggravation was high. These are the best sounding bridges of all I've tried, including about 25 bridges of various woods and designs that I made myself. The Bullfrog added a new dimension to the sound. In summary, I like this bridge. WellI was pleasantly surprised. I requested a bridge that would add overtones and sustain to by super-dry RB4and after a brief exchange of information, he custom-built not one, but two bridges to try. I emailed Tim and explained that I know little about my banjo but knew it was time for a bridge. The bridgetook some of the keenness out of the Granada. For the first time, I can play a chord at the nut and above the 12th fret, and both are in tune. I originally had a Sosebee Cotton Mill bridge on my Scruggs model. I can use anyone of them and be a happy camper. My 1 st and 2 nd string come sound more alive and a whole volume is very good. Sound is even in high positions, mellow, thicker, fuller. Keep in mind that every banjo is different, both in design, and set-up. intonation has improved tremendously. 1444 245th St, Winsted, MN 55395-6564. The Cunningham bridge seemed to bring out the best in this banjo. The banjo's sound was great with various wooden based bridges, but the sound was improved, in my opinion, with the all metal gold bridge. I was looking to see if I could improve that sound any more.I described the general sound characteristics and how I'm playing it now to Mike Smith and pointed him to a recording. And his workmanship is second to none! I have a very old Vega Folklore long neck, the cheap one with the wooden tone rim. Although I have not played my banjo in a group setting as of this writing, my suspicion is that it will be able to cut through better than it was able to previously. Steve is a pleasure to work with. ETimes is an Entertainment, TV & Lifestyle industry's promotional website and carries advertorials and native advertising. My initial impression is that this bridge has solidified the bass and is overall a little brighter than the walnut bridge. I wanted a brighter sound, which Bart clarified as "exuberant"rather than bright so as not to confuse the effect of the tome ring. It is a sweetness, a mellowness, and yet a fullness that does not sacrifice any of the sound qualities your banjo was built to deliver. The banjo has no more intonation issues up-neck. Highly recommended, especially if you need some customization. It makes a complete connection between all the strings and the head of the banjo. View the profiles of professionals named "Tim Purcell" on LinkedIn. !..wow, what a bridge!!! the banjo still has a nice old timey feel to it, only the notes are clean and defined. Increased volume and improved tone on Deering Hartford. First, ditto to everything the Irish banjo player/reviewer said. Remember that with any bridge, set-up factors in, and the head tension may need to be raised or in this case slightly lowered for optimum performance--don't judge a bridge by the sound, try different set-ups! I would not hesitate to order another bridge from Bart or recommend his bridges to other players. It is installed on a Gold Tone BC 350 with a Renaissance head and medium gauge steel strings. The sound is fuller and it really chimes. Sound was more balanced from high to low over the stock Deering bridge. This is a hand carved bridge, with a very flowing organic look to it. With no promotion other than word of mouth and folks sharing with their friends, our site is rapidly approaching 50 million views. He is passionate about telecommunications and innovation is a strong advocate to have during this critical phase of product development. The Height is perfect for this banjo and its set up and the sound is exactly what I want from a 40 year old banjo. When I put on the capo, it doesn't go out of tune. I want to make it clear that this bridge is not a miracle cure for larger tonal/structural issues. As usual, Tim was very easy to work with - highly recommended!! We endeavored to keep the band going during the months Maggie was home from college. Intonation in D is also fantastic.The volume is about the same. And I've read many glowing stories about these bridges so take my review with a grain of salt. Barks. For my particular banjo,I preferred the American Cherry. Bottom line is, this bridge is one of the best values for money I have found. Most sellers charge $30 for one bridge, Don will give you 3 that sound just as good for the same price! If I was perhaps more experienced I would be able to tell if this has made much of a difference but the truth is that so far I havent noticed a difference that I could attribute to the bridge being compensated. Get one - you'll like it. They bring out the best tone in all the banjos I own and have sold. I've used the Stockwell Moon Bridge for decades with great success both on my archtop and on my flat-top to cure intonation problems. I had a student play my banjo back to me today and I liked the sound very much. The second I put on my Deering Goodtime which had started to sound lifeless to me after playing my other banjos with tone rings. The Spillway Dam Bridge would have made that argument hard to sustain. Worked really well in D tuning as well. Where Purchased: On line from First Quality. I was disappointed if her choir performed and she didnt solo. It did not do as much for my Deering Maple Blossom. My banjo is a Deering Eagle II with Fults34Parallel Lite tailpiece and medium gagenickel wound strings. Hard to put into words. The tone and volume both improved significantly. Where Purchased: Kerry Scott (lazyarcher@rogers.com). An the price is beyond reasonable. Man that roasted red maple REALLY blew the doors off. I play a 12" open back with a Dobson tone ring. When I got the new Scorpion, I installed it right away. When they came in I immediately noticed the beautiful and consistant quality of his workmanship. Volume literally shot through the roof on a basic wood pot fretless. I entered nylon strings on the form, and he followed up about which strings to get the exact gauge. Virgil was nice enough to let me try out his compensated radius bridge. I used to slant my bridge, and that would choke off the sustain a little bit. How often do you get to try before you buy? The bridge has now had a full day of hard playing and it has settled in to be a killer bridge.Im not one to go on and on so much about something like a bridge, but this one deserves it.If you own a flat head banjo and want to give it that older sounding pop and clarity, but keep the depth too, this could very well be that bridge. Whats even more interesting is George Keywood is an expert on making millions from the internet. It made the high end not only clearer and more pleasing but louder as well. An absolute 10! I recently acquired '26TB1pot with a Ryan Tone ring, Gill resonator, Gibson (wreath) neck, vintage GibsonOPF, Presto-type &Pruchahoop/hardware. We've detected your location as Mumbai. Samantha Purcell is 28 years old today because Samantha's birthday is on 12/02/1994. The bridge is perfectly made and stays put on the head, plus I'm finding that I don't need to retune very often and that's a minor miracle with a hide head. I put it on a Deering Tenbrooks Legacy (mahogany neck) with a Kruger ring. The instrument is still new to me, and I'm really liking it as I get used to it, but there were some minor intonation quirks up the neck that seemed to indicate a compensated bridge. The construction is impeccable. This bridge is fabulous in every way. Up & down the neck it sounded better than any bridge I've tried prior. You can't go wrong with this bridge! His customer service is fantastic. He is professional, considered, thorough and all with a wry sense of humour. Links are provided for reference only and MyLife.com does not imply any connection or relationship between MyLife.com and these companies. Easy to deal with. This effort was driven bytheOfficial Visit to Australia by the Finnish President and at the time I held the positions of President of the Finland Australia Chamber of Commerce and as a Board Member of the Australian European Business Council. It gives guicker decay ,dry sound and brings more bell like sound on higher registers and very clear notes on all the frets. That's all I have to say.BOTTOM LINE: I will replace this bridge if it breaks, is lost, is bridge-napped, or spontaneously combusts. The Crowe spaced Archie bridge that I receivedwas very professionally sculpted and finely finished making it not only functional but an attractivepiece as well. My camping banjo is a Rover RB-25 which has a great neck and is indestructible. You will not be disappointed! I have a long-neck banjo that used to have intonation problems that really drove me nuts. The poem tells Amelia that the more she resist it, the more it will haunt her. Well constructed, and sounds terrific. To sum it all up, I will probably never have anything other than Snuffy Smith Bridge, I am very satisfied, and wish I had put it on sooner. Based on the fact that last night I was up until after 2am playing I reckon that I am liking the bridge very much. I did not expect a $30 item to make such a big difference in a finely-crafted, custom-made instrument. The bridge cost me around $25. It was 11/16, with Crowe spacing and 2.1 grams weight. Mister Babadook (simply known as the Babadook) is the titular main antagonist of the 2014 Australian horror/thriller film of the same name. Nice workmanship. One of the lighter colored bridges, which I'm guessing is either the pine or the fir, WOWit turned my modest old Japanese bottlecap into a real tone monster and cannon. Thank you for adding to my knowledge and appreciation for this group. Both had lots of volume and sustain and got a good tone from the ring. (the Old Barn one is nice too for a woody sound). Just put one on my RK and WOW did it make better sound come out and it cleared the open back muddiness. I wasnt even considering that bridgeI just assumed it was only good on an archtop. Food has always been a go-to for people in mourning. I knew that David Cunningham was the maker to contact. Recently I have used David Cunningham's Zebrawood/Katalox brides and Zebra/Padauk. Where Purchased: direct from Greg at a festival. All this despite a new mahogany neck and a head that is not overly tight. The Dark Star does just what I'd hoped it would. In the event I find myself in the market for a bridge in the future, DCB can be assured of my business. I purchased this bridge for an Ome Juniper 12" with wooden "tone rim." I highly recommend Dave Wadsworth's product, especially for Mastertone-style banjos. What kind of arrangement is appropriate, where should you send it, and when should you send an alternative? I definitely hear an improvement in tonal qualitites like better mid to low ranges & longer sustain. Go to his website and you'll see an array of bridges constructed from a myriad of woods with a description of each like the notes on a bottle of wine, many with sound samples. I prefer to sand from the top as opposed to sanding down the foot; as the latter reduces the stance thickness. Even though the bridge was a prize, he custom made it to my required specs and made sure it arrived. Home . I figured I would change out the bridge for something better for a start to see if I could get it to sound better before changing the Waverly tailpiece. The camo frog gives me a louder max volume and I believe it gives me a quieter useful minimum as well (ie it seemed more responsive to a softer touch). He was great to talk to on the phone and helped to come up with a very good bridge for my needs. The tone is brilliant, I can play way up the neck now, and theintonation has improved tremendously. He graciously agreed. I'm about out of wind. After getting the intonation setup correct, I checked the fourth string with my auto tuner. Now I have to live up to their potential. With his three-camera shoot and the ability for us to record single tracks from each instrument and voice, I was able to mix the recording and synch it to the video to produce a product that was so much better than I ever dreamed possible.

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